By Jeff Walsh
I was interested to see the wildly-popular revival of Hair on Broadway because I think the gay and hippie movements are intertwined, as both really got started in the late 60s. While the history of the gay rights movement links the Stonewall Riots to the death of Judy Garland, as they happened during the week of her funeral, to me it's always seemed like the culture was already shifting sexually, spiritually and culturally in ways that demanded that homosexuality express itself more naturally.
In the 40-odd years that have passed since Hair first played Broadway, hippies have become a bit of a cultural joke, but a lot of their legacy is still with us: the sexual revolution (including LGBT acceptance), health food, drug culture, expanding consciousness in other ways such as eastern religions, and of course, the music.
So, it is interesting to see Hair through that lens in its current revival, as a snapshot of a huge cultural shift. Of course, if you could care less about any of that, you'd still be in luck, since it's just a fun time capsule of a show brought expertly to life with an exuberant young cast.