Finally at quarter-to-nine on the night before it's due, I have figured out the topic of my essay! After many days of knowing about the assignment, several days of thinking about it, and at least two or three days of actually worrying about it, now all I have to do is...write it. Oh. But that's the easy part, I think. The difficult part was figuring out what exactly is the significance of all the deception in Vergil's Aeneid. Now that I know, writing three pages about it complete with quotes and line citations should be...possible?
Because I'm still inwardly gloating to myself a bit about my victory over uninspiration, I feel compelled to record the train of thought that led me to this epiphany:
Sometimes deception does not seem necessary at all, but honesty still fails. Whenever a character speaks openly and honestly, hiding nothing, he is doomed not to meet his goal – he will, at the very least, be ignored. This happens time and again: Aeneas truthfully declares his feelings and thoughts to his mother, upon learning who she is, and demands a bit of honesty from her, and she disappears, leaving him frustrated and swaddled in a cloud of invisibility; Cassandra speaks nothing but the truth but is cursed never to be believed; Laocoon, the most dramatic example, meets a sudden and gory death when he urges his fellow Trojans to see reason and be suspicious of the mysterious wooden horse.
So one has to wonder what would have happened, during those times when duplicity does not seem to be needed at all, if it had not been used. What if Venus had appeared in a form her son would have recognized? What if the Punics had not been divinely charmed into liking the Trojans before ever laying eyes on them? The results of the aforementioned rare instances of sincerity suggest that the outcome would have been somehow bad. The gods must know that in this world, no honest word or deed is rewarded. And they are forced to play the game of deceit along with the mortals. Some higher power is at work here – fate? But if it’s fate (I’m just typing my train of thought here, okay?), how could it be changed by honesty or deception? Hm… Maybe… everyone thinks he can cheat fate (or help it along, as the case may be) by being tricky and deceitful. But he can’t! He can only delay it, or hurry it up, or add in some interesting chapters before it takes effect. Finally, I have hit upon something….
And yes, that is copied-and-pasted from my 'rough draft,' which at that point turned into more of a brainstorming sheet...
Anyway. That's all. Triumphant moment of epiphany after days of seeing the what but not the why. Off to write three pages now...
Comments
Or maybe the Gods are the
Or maybe the Gods are the deceitful ones, and the mortals are the ones forced to play along? Just a thought...
Oh, well, that's true too.
Oh, well, that's true too. Everybody is deceitful, and everybody is playing along, gods and mortals alike. Everybody who is honest gets ignored or killed.
I love those eureka moments.
I love those eureka moments. Too bad they're so rare.
What's the Aeneid about? Never read it.
Oh, the Aeneid is the story
Oh, the Aeneid is the story of Aeneas, a Trojan who watched Troy fall and then had to go find a new homeland, which destiny says is to be the future site of Rome. It's very sad, because Aeneas just wants to be normal, but he can't, because fate has decreed that he's going to be the forefather of the conquerors of the world. So he leaves Troy, even though he'd rather have died defending it, and goes and founds a city like the gods told him to, but - oops - it's in the wrong place. Sorry, Aeneas, your princess is in another castle. So he sails around a bit more, finds another place for his city, builds a city, and, yet again, it's not quite where it's supposed to be. Sorry, Aeneas, you have to go to Italy. Why couldn't you have told me this before I built these two cities? 'Cause we're mean, that's why. And, oh, by the way, the queen of the gods hates your guts. So she conjures up a storm to blow him off course, hoping to prevent him from ever getting to Italy and founding Rome (because she hates Rome, even though it doesn't exist yet), and Aeneas ends up in Carthage, where he meets a completely awesome woman and falls in love and gets married. But oh, sorry, Aeneas, sorry, Dido, that's not your destiny. Aeneas has to marry Lavinia, this woman he's never met, and she's in Italy. She's also engaged, but that doesn't come into play until later. So, because destiny says so, Aeneas leaves and Dido doesn't and her heart is completely and utterly broken and she commits suicide. And later, Aeneas visits the underworld and has a nice chat with his dead father, and sees Dido completely shunning him and hanging out with her first husband. So that's all very tragic. But he finally makes it to Italy, but it turns out that Italy is already inhabited, and the aforementioned Lavinia is already betrothed, and basically the locals are not too happy about Aeneas barging in with his big destiny. So the second half of the epic is all about the giant war that ensues, and who all gets killed and how, and it ends when Aeneas, who has mysteriously transmogrified from something of a wuss, as Trojans go, to typical manly epic hero of might, kills Lavinia's fiancee, who wasn't a very nice guy anyway. Really, the second half of the book is pretty dreadful. It's like those movies wherein a lot of heavily muscled extras - each of whom has a name and a backstory that you will hear if you watch the special features, and whose armor all has a history and some ungodly amount of work that went into designing it, all for a character that appears for all of two seconds - do battle and kill each other in various gruesome ways. The first half is pretty good, though, in a tragic and sad way.
By that movie you're
By that movie you're referencing, I'm guessing it's 300?
Oh, I don't even know - I
Oh, I don't even know - I don't watch those sorts of movies; I just know that they exist.